A. Prefix,Suffix&Root
◈ori-:rise
◆origin(n.):c. 1400, "ancestry,
race," from Old French origine "origin, race," and
directly from Latin originem
(nominative origo) "a rise, commencement, beginning, source;
descent, lineage, birth," from stem of oriri "arise, rise, get
up; appear above the horizon, become visible; be born, be descended, receive
life;" figuratively "come forth, take origin, proceed, start"
(of rivers, rumors, etc.), from PIE root *ergh- "to rise,
mount".
◈ori- =ora=oro:speak,pray,plead
◆oracle(n.):late
14c., "a message from a god, expressed by divine inspiration," from
Old French oracle "temple, house of prayer; oracle" (12c.) and
directly from Latin oraculum "divine announcement, oracle; place
where oracles are given," from orare "pray, plead", with
material instrumental suffix -culo-. In antiquity, "the agency or
medium of a god," also "the place where such divine utterances were
given." This sense is attested in English from c. 1400.
◈-pathy:a combining form occurring in loanwords from Greek,
where it meant “suffering,” “feeling” ( antipathy; sympathy); in
compound words of modern formation, often used with the meaning “morbid
affection,” “disease” ( arthropathy; deuteropathy; neuropathy; psychopathy),
and hence used also in names of systems or methods of treating disease ( allopathy;
homeopathy; hydropathy; osteopathy).
◆sympathy:Sympathy is the perception, understanding, and reaction to
the distress or need of another life form.This empathic concern is driven by a
switch in viewpoint, from a personal perspective to the perspective of another
group or individual who is in need.
◆apathy:Apathy is a lack of feeling, emotion, interest, and
concern. Apathy is a state of indifference, or the suppression of emotions such
as concern,
excitement, motivation, and/or passion.
◈-cracy:a combining form occurring in loanwords from Greek
( aristocracy; democracy); on this model used, with the meaning “rule,”
“government,” “governing body,” to form abstract nouns from stems of other
origin:mobocracy; bureaucracy.
◆bureaucracy:A bureaucracy is "a body of
non-elective government officials" and/or "an administrative
policy-making group.
◆democracy:Democracy, in modern usage, is a system of government in
which the citizens exercise power directly or elect representatives from among
themselves to form a governing body, such as a parliament.
◆theocracy:Theocracy is a form of government in which a deity is the source
from which all authority derives. A system of government in which priests rule
in the name of God or a god.
B. Literary genre& Literary periods
Literary genre
A literary genre is a category
of literary composition. Genres may be determined by literary technique, tone, content, or even (as in the case of fiction) length. The distinctions between genres and categories are flexible and
loosely defined, often with subgroups.
The most
general genres in literature are (in loose chronological order) epic, tragedy, comedy, and creative nonfiction. They can all be in the form of prose or poetry.
Additionally, a genre such as satire, allegory or pastoral might
appear in any of the above, not only as a subgenre (see below), but as a
mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were composed.
Genre should
not be confused with age categories, by which literature may be classified as
either adult, young adult, or children's. They also
must not be confused with format, such as graphic novel or picture
book.
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Literary
periods
Tracing the evolution of
literature through time scholars often group works from a certain
timeframe together and label it as a period or movement. This section of The
Literature Network aims to disect these movements for the better
understanding of you, the reader. The movements or periods listed here where
not mutually exclusive in their timeframes, they overlap, liberally. In some
cases a single author can even be claimed by more than one movement. Classifing
art, an art in itself, often ends up more fluid like this. Each introduction
(listed below) includes a broad overview of the movement or period, examples
of key works, and a list of major authors.
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C. Vocabulary
Plot refers to the
sequence of events inside a story which
affect other events through the principle of cause
and effect. The causal events of
a plot can be thought of as a series of sentences linked by "and
so". Plots can vary from simple structures such as in a traditional ballad to complex
interwoven structures sometimes referred to as an imbroglio. The term plot
can serve as a verb and refer to a character planning future actions in the
story.
In the narrative sense, the term highlights the important points
which have important consequences within the story, according to
Ansen Dibell. The term is
similar in meaning to the term storyline.
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Dramatic
structure (also called Freytag's pyramid)
is the structure of a dramatic work such as a play or film. Many
scholars have analyzed dramatic structure, beginning with Aristotle in his Poetics (c. 335
BCE). This article focuses primarily on Gustav Freytag's analysis
of ancient Greek and Shakespearean drama.
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Inferno is a 2016 American mystery thriller
film directed by Ron Howard and written
by David Koepp, loosely
based on the 2013 novel of the same name by Dan Brown. The film
is the sequel to The Da Vinci Code and Angels & Demons, and is the third installment in the Robert Langdon film series. It stars Tom Hanks, reprising
his role as Robert Langdon, alongside Felicity Jones, Omar Sy, Sidse Babett Knudsen, Ben Foster and Irrfan Khan. Along with
the previous film, it remains Hanks' only live-action sequel.
Filming
began on April 27, 2015 in Venice, Italy, and
wrapped on July 21, 2015 in Budapest. The film
premiered in Florence on October
9, 2016 and was released in the United States on October
28, 2016 in 2D and IMAX formats. It received generally negative reviews from
critics and grossed $220 million against its $75 million budget.
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The Immortal is a Canadian
television series which aired from October 2000 to
June 2001 and had 22 episodes.
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In Greek mythology, Chryseis was a Trojan woman, the
daughter of Chryses. Chryseis, her apparent name in the Iliad, means simply
"Chryses' daughter"; later writers
give her real name as Astynome.
In the first
book of the Iliad, she has been enslaved, as a war prize, by Agamemnon who admits
she is finer than his own wife Clytemnestra and refuses
to allow her father, a priest of Apollo, to ransom
her. Apollo then sends a plague sweeping through the Greek armies, and
Agamemnon is forced to give Chryseis back in order to end it, so Agamemnon
sends Odysseus to return
Chryseis to her father. Agamemnon compensates himself for this loss by taking
Briseis from Achilles, an act
that offends Achilles, who refuses to take further part in the Trojan War. A later
Greek legend, preserved in Hyginus' Fabulae, states
that she had a son by Agamemnon. In medieval literature, Chryseis is
developed into the character Cressida.
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Brisēís was a mythical queen in Asia
Minor at the time of the Trojan
War. Her character lies at the heart
of a dispute between Achilles and Agamemnon that drives
the plot of Homer's Iliad.
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Severe acute respiratory syndrome (SARS) is a viral respiratory disease of zoonotic origin
caused by the SARS coronavirus (SARS-CoV).
Between November 2002 and July 2003, an outbreak of SARS in southern China
caused an eventual 8,098 cases, resulting in 774 deaths reported in 37
countries, with the majority of cases in Hong Kong (9.6% fatality rate)
according to the World Health Organization (WHO).No cases of SARS have been reported worldwide since 2004.
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prefix
Prefixes are added to the beginning of an
existing word in order to create a new word with a different meaning.
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Suffix
Suffixes are added to the end of an
existing word.
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root
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chronological
1.arranged in the order of time
2.pertaining to or in accordance with chronology
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D. The National and Kapodistrian University of
Athens & Gods
The National and Kapodistrian University of
Athens
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Apollo
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Pan
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Muse
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E. Shall I compare thee to a
summer’s day?
Shall I compare thee to a summer’s
day?
Thou art more lovely and more
temperate.
Rough winds do shake the darling
buds of May,
And summer’s lease hath all too
short a date.
Sometime too hot the eye of heaven
shines,
And often is his gold complexion
dimmed;
And every fair from fair sometime
declines,
By chance, or nature’s changing
course, untrimmed;
But thy eternal summer shall not
fade,
Nor lose possession of that fair
thou ow’st,
Nor shall death brag thou wand’rest
in his shade,
When in eternal lines to Time thou
grow’st.
So long as men can breathe, or eyes can see,
So long lives
this, and this gives life to thee.











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